[fifty five] Leonard Barkan in contrast the posture of Michelangelo's marginalia self-portrait on the Roman sculptures of Marsyas Bound within the Uffizi Gallery; Barkan even further connects the flayed Marsyas with Michelangelo's purported self-portrait many years down the road the flayed pores and skin of St Bartholomew in his Past https://mariolkifb.thechapblog.com/25906103/the-https-link-space-topantoto-diaries